Archive for the ‘internet’ Category

New Rules

April 25th, 2011

More than ten years into it, formerly major players still haven’t figured out how the Web works and what they can do, especially because they’re asking the wrong questions. The question is not “How can I re-establish the old system, when I had the power, in this new medium and keep it at the same level for a long time to come to make as much money as possible with processes that have been working for me in the last 50 years?” Asking for something like this seems pretty silly, but it’s exactly what big companies do. Why? It’s the people who work there. They want to do the job they’ve been doing ever since, but we don’t need these jobs to be done anymore, at least not in the same fashion.

What every player, regardless of size or age, needs to admit at first is that not only yesterday, but also today is a sunk cost, because you can’t change it, not at a significant level. So the question becomes “How do the achievements of today (i.e., the latest technical innovation) shift user expectations for tomorrow, and how can I use what I got to satisfy or exceed them?” Example: YouTube today is not what it was 6 years ago. Today’s standards make it very unlikely someone will watch a shaky mobile phone video with your cat chasing the woolen ball over and over and tell all her friends. What we want is high definition video, professionally shot and, even more important, a good story worth our time. We’ve moved beyond the point of boredom and doing stuff only for excitement, because there’s no more scarcity of entertainment for its own sake.

No, the new scarcity is one that major movie studios could fill if they only decided to abandon their old-fashioned monetization chain. They need to figure out how to get HD video in 3D to my home, so easy, comfortable and cheap that torrent downloads or physical pirate copies are not attractive any more to everybody worldwide. What’s as important: They can help me discover more movies, just like Amazon does. But they could use a different algorithm, and only when I’m logged in. I don’t want a useless recommendation e-mail invade my inbox each day just to make me come back and spend more money.

Just like the music industry wouldn’t have had to invent iTunes, but Spotify. We have always needed and still need someone to help us discover more of the stuff we already like and buy, and only then do we need someone to actually give it to us, not the other way round.
The Internet has not ridded us of all scarcities, it just shifted them a lot. The ultimate scarcity is now time, because there is too much to choose from, and people and companies are adding ever more stuff. Today we need someone to help us find the stuff we want. And there’s a reason why there are not many people around trying to solve this problem successfully.

Digital Natives – Digital Naives

April 23rd, 2011

Whatever circumstances you’re born into you assume as being normal, because “that’s the way things are”. When all you know is war, fighting and being on the run determines your image of life and reality. Most of us, who have never personally experienced war or other life threatening crises, assume a life of safety and comfort as being normal, and whatever “soft” revolution that we experience, like having Internet connection in every household, having a mobile phone and so forth, are conceived as normal by the next generation. Just because stuff like this exists.

And usually “normal” stuff , no matter if it’s war or a computer, is not questioned by the new generation of participants or users. Today’s kids just use Google, YouTube and Facebook like it’s always been around and a somewhat integral part of life, but they don’t really know how it works (technically) or what its purpose is (advertising, not searching). In that sense, the new generation should not be called Digital Natives but Digital Naives.

What’s a little funny about this whole thing is that it’s the first of the four stages of competence, but one can only advance through all four when he knows that he’s incompetent int he first place. And often this doesn’t happen because of the unawareness of incompetence, because the perceived ability to use a device, service or whatever makes one forget they don’t actually know how it’s done. This paradox is known in the professional world as the starting point of the Dunning-Kruger Effect, and when we take this as a given, big opportunities we haven’t seen before become pretty obvious.

(Yes, it’s a cliffhanger.)

To Do What, Exactly? (Part II)

April 3rd, 2011

There was some feedback on one of my last posts that made me feel to explain my point a bit more in-depth.

A legitimate argument was “Touting the process has at least one value for fans: gossip. Even if they’re the nerds everybody else is laughing about. After all, celebrity mags are no more than a collection of illustrated tweets.” And this is true. The point is, what’s the next step in the process of generating revenue? Gossip in and of itself is not monetizable. The problem of a marketer has always been, is and will always be: How do you convert attention into action? Shouting “Hey!” to make people turn their heads is easy, but then what? It’s action that generates revenue. People who buy stuff. If gossip just happens inside a silo it’s no big help, it may even be counterproductive. Trade, be it with physical goods or imphysical ideas, is based on imbalance, on one person having something the other wants to have. When everybody has the same level and quality of information, there’s no (re-)action. Evolution and progress (and also regress) happen at the fringes, not in the center, and a silo is a rectangular shaped fraction of the center with no fringes at all.

The entire point is in terms of marketing, gossip is only a means, not an end. Celebrities know this, thus they’re attending parties to have photos taken, getting them into a dozen magazines every week which in return raises their value as a product. They’re (in most cases) aware they’re the product they want and need to sell themselves.

This is different with most bands I know personally. Musicians tend to think that their product is whatever kind of merchandise which speaks for itself. But it doesn’t. Facts never ever speaks for themselves. As Seth Godin says in “All Marketers Are Liars Tell Stories”, it’s a huge difference whether you say “right-wing fundamentalist” or “person with deeply held beliefs”. As I wrote in the original post, it’s way easier for bands to tout the process of making a record (because it’s hardly comparable) than advertising the final product (which is easily comparable), but it’s the result that earns them money partially refinances their investments. If there’s no story about this product that may spread, the product itself won’t spread too. What happens is that within the silo of the before and after fans, they reach 100% market saturation. But outside the silo nothing changes. This is a critical point often ignored. It’s not enough to say “here’s the album we’ve been talking about a month ago…yes…the last update…remember? You liked our status back then…what we’ve been doing in the meantime?…Y’know….er…stuff..” or “Here’s the shirt. Questions? Look at the photo. Front. Back. See? Read the description. Comes in all sizes from S to XXL. Fine. Now, please, click the “BUY” button. Thank you.” This is a heap of crap in mammoth dimension. Why would anyone need to buy this? It’s a piece of black cloth with white paint on it. It’s not a desirable, somewhat fashionable item making the buyer feel better or leveraging their social status. No, it’s a commodity, and commodities are cheap in every aspect.

There is, as with all disasters, one upside. Limitation creates predictability, and predictability minimizes risk. What’s more, limitation creates urgency as well. So when bands know there are 200 fans, they can ask each of them to invest a tenner for new music, giving the band one week of studio time. Delivery by download. Or when each fan invests 20 bucks, they can get a souvenir, which could be a signed Digipak with awesome design (emphasis on “awesome design”, which means created by an artist, not “someone who knows Photoshop”). When making shirts, they can only have 100 printed in the first batch and sell them for 5 bucks more than the second (of course you want every fan to have a shirt, but some want it more than others, and they are willing to pay extra for the temporal luxury of exclusiveness). If that sounds to commercial, it might be better to not start swimming in this pond at all.

In the end, the question comes down to whether it’s a serious shot at making it your profession or just doing it as a hobby. The former requires a tough posture, especially towards yourself, and the latter brings up the question if you want the hobby to be self-sustainable or a bottomless pit.

Touting the Process

March 27th, 2011

…is in most cases a lot easier than touting the result. It’s what musicians use social networks for these days, but I can’t make sense of it. Who is it about? Whenever a musician posts or tweets they’re going to the studio, it’s just another version of “Hey, I’m feeling great today.” Good for them. Not good enough for me, because there’s no value for me as a fan and potential buyer. Their well-being doesn’t lead to any interaction. And when the attention span is exactly as long as the time it takes to read a post or tweet, the question that need to be asked is: Is it worth your fan’s time? Not the time it takes to read your news, but the time it takes to start a conversation about it. Related questions are: How can I facilitate engagement? How do I connect? How can I make it sneezable? It’s easier than you think. (Exceptions apply.)

And the issue has yet another dimension to it. A process is hardly measurable (but that’s our fault, because it’s easier for us to measure outcomes), making it a good means to hide behind. No one’s gonna judge you for this, everyone is waiting for the result. And now, as always, it comes down to whether you’ve raised the bar too high for yourself to exceed expectations. And sometimes, the creators feel that they’ve bitten off more than they could chew, which makes going out there and touting the result a little harder. That’s why musicians are still sending review copies of their records to music magazines. Of course, these mags also serve a top-down connecting function within the tribe, but the top-down evaluation component is a lot more important, because a good review is yet another shield to hide behind: “It’s good because some authority said it’s good.” The problem with this thinking is the authority’s voice today is just one in a million, and it’s heard less every day.

It’s the Couch

February 8th, 2011

I used to say that TV as we know it is not going to exist much longer than 10 or 15 years, which I still don’t want to withdraw — simply because it’s a long time span in which a lot will happen. What I want to focus on instead is why it’s not happening earlier. It’s because of the couch. Yes, you heard me alright, the couch — and what goes with it.

The couch defines the place you live in as your home. Bed, bathroom, kitchen — these are things you find anywhere you’re staying. The couch makes all the difference. I just realized the other day that the last place I was living in didn’t feel like home — because I never bought a couch. Other associations with the couch are family, togetherness, all deeply rooted within us, and it’s a perfect symbol for comfort, relaxation, and hedonism.

And if you’re not living in a place where you have a marvelous vista from your living-room, I guess opposite to your couch there’s a TV set. The window to the world. Not only one world, but hundreds of worlds. All of them right in front of you in your zone of maximum comfort, and if you don’t like one, -zap!- there’s another. This is a very different experience from browsing YouTube, even if it’s on your TV set, because the former is not only a programme scheme designed by professionals (which you would have to create yourself on the Web), it also conveys a lot less responsibility in terms of what you are watching, because it’s pure consumption (or not). When you’re the programme director, you have a lot more responsibility for how happy you are with what’s on the screen, because first you have to decide what should be running, and only then you’re back in your consumer role to decide whether you like it or not. That’s a lot more stress to deal with, and we, being lazy humans, don’t favour that.

That said, the audience dynamics on the Web are entirely different from those towards TV. A successful programme like the German version of “Ramsay’s Kitchen Nightmares” would in my opinion falter on the Web because I think you just can’t build an equally loyal fan base, aside from the fact that financing the show to be broadcast Web-only is close to impossible. But what Christian Rach, the German Gordon Ramsay, could do, is to have a video series of cooking tips on a website, with sponsored links to markets where you could pre-order and pick up your ingredients, or, to keep it low-tech, just see if they’re in stock. And a bazillion of other ways to monetize his popularity, aside from the obvious books  (of which he has published three). But the TV format as it is would not translate to the Web.

As long as TV is more about the overall experience than what’s on the screen (the same transition cinema has gone through several years ago), it’s not going away anytime soon. Ever bigger screens, 3D display any other gadgetry support this even further, so the battle (if there is one) will be decided elsewhere.

When Adding Momentum

January 24th, 2011

In one of the early Spiderman comics it says “ With great power there must also come — great responsibility!” (and further reading on the quote can be found here, it’s quite interesting). It also applies when power is little. And often enough, responsibility doesn’t scale down proportionally.

The issue I’m talking about: Last week, a show host of German radio station Fritz (located in Berlin) published an Open Letter to Kristina Schröder, German Minister for Family, Senior Citizens, Women and Youth (or as I used to refer to it, DEBYM), in which she heavily attacked the minister who had tried to sympathize with young families because she’s pregnant now. Voilà, promotion — Twitter took it to the next level. And then Fritz’s program director stepped in and took the page offline, accompanied by a statement that “the Open Letter did not represent the opinion of Fritz’s editorial team … [and they would] not accept infringements of Personal Rights.”

And that’s how the fight started. What the program director did wasn’t the best he could (and should) have done. The appropriate thing to do here is to make your employee see sense and ask her to publicly apologize for the inappropriate remarks. That way he would have avoided the accusations of censorship that are now being raised by the audience who have already taken care of the issue themselves.

The problem is that the Web makes it easy to let things run out of control. Once an information has been published, it’s being cached, copied, multiplied in all sorts of ways, and whenever it’s done manually, the ones in charge don’t necessarily pay attention to what they’re doing. Issues like this are easy to pull out of frame, because the outraged public doesn’t necessarily understand that just because you feel a certain way, it’s not okay from a moral point of view, neither from a legal one, to insult a person in whatever medium. That’s why the page was taken offline, but it’s not what the public thought the reason was. The story of some politician trying to undermine Freedom of Speech spreads much better, and so does support by people who think that censorship must be fought against with all means available. The only problem is that whoever re-publishes the original article without additional comments, just to add momentum for a perceived good cause, becomes liable for the same reasons that Fritz would have become liable had they not taken the page down, and this is what most people don’t know.

Which again leads us back to media competence, and why this would make an excellent case study for social science lessons at school. It’s a multidimensional issue, covering social dynamics, media dynamics, public law and, last not least, communication. This is something not only the next generation better knew, but it’s also the most sensible place to discuss the topic outside of Fritz’s commentary section, in the real world, because that’s where having the discussion can really have an impact and make a difference.

Voilà, Promotion

January 19th, 2011

The other day it just occured to me why Twitter is a better means of promotion than Facebook, not meaning advertising but “spreading the word”. The key is the default action, so to speak.

When someone posts something on Facebook, the default action to show your appreciation is to click the “Like” button. But this doesn’t create a movement (so it’s no literal ”pro-motion”), it’s a popularity feedback for the originator of the post because it stays within the boundaries of his circle of friends. The promotion happens when people click “Share”, so the post translates to their own circle — but that happens very rarely in comparison.

This is where Twitter does better, because it makes no sense to reply “I like your tweet” to the author. The only sensible thing you can do is re-tweet the original tweet (Twitter word for post), so now your followers will read it. Voilà, promotion.

Fooled by the Status Quo

January 18th, 2011

It’s always amazing how one’s imagination is being fooled by the status quo though the own memory should tell otherwise. When Wikipedia celebrated thier 10-year anniversary three days ago, I was thinking back when I actually started using it. In 2001 I didn’t — and it’s worth noting it’s the same year I started using that new search engine called Google. It occured to me that when writing my diploma thesis on analogue audio compressor circuitry design and implementation in 2002, finding mere bits of information was actually work that was not too far from the days when you had to go to the library and skim through boxes of index cards. The whole thing just went off well because a fellow student was writing his thesis on EQ design so we could update each other about our latest findings.

Just a few years later, maybe in early 2005, I was using Wikipedia to pull together a script for my students’ electronics lecture, just as an expanded appendix for all the stuff I couldn’t cover in detail because the lecture was quite dense already. Only 4 years after its birth, Wikipedia had become the go-to resource for every geek topic, not to mention the thousands of other sites that had spawned up on stuff like audio circuitry. But what was funny back then is that most of them still referenced the same sources that we had to dig out years before.

Today, more or less everybody is online, be it as a consumer or content creator, but you better not assume that the absolute number of “web literates” has increased proportionally. In this is becoming a problem, because at some point, we’re passing it on to the next generation. According to an interview with two media experts published in the German magazine “Der Spiegel”, there is a shocking deficiency in media competence among teachers, and as they point out, it is the responsibility of schools to educate the kids in the why and how of media, because it’s the only place where all of these kids go — and you don’t know how well-informed their parents are in terms of Web and so forth.

The real problem is of course not media but responsibility, and it’s hard to teach responsibility because it’s rather something you learn. The digital era has a massive downside compared to the glory days before it: As Google put it, the Web doesn’t forget. People do. If you broke a window, it’d be a shock at first, you’d get punished, and some years later you’d have a funny story to tell. I don’t want to spread paranoia here, but in absence of a better excuse a digital record of you having smashed a window in your child days might serve as an unspoken reason why you’re not getting a job. So it may well mean the chance of anyone getting a second chance (to do better) will go down, just because you’re the one who, as is anybody on one subject or the other. The Web is no good place to start when you haven’t learned the analogue model. The only advantage we have today is that we still have analogue models, because there a only few web services that don’t have a real world counterpart.

On the other hand, it’s hard to draw a line in terms of when available information is to be used fairly. When a government can use information published on WikiLeaks to prosecute tax evaders — no matter if this information was obtained legally or not, it’s available now, and it’s hard to argument that one shouldn’t use it to enforce the law — it seems unfit to force an employer to not consider dubious information they got about their job candidates. It’s again a question of responsibility. And as we know, when faced with the opportunity, most people will prefer to get rid of it instead of taking some more, something they learned along the way too. Everything scales, you just need enough iterations to make a small difference to yield a large result. It actually works both ways. That’s why Wikipedia won.

Coin-age

January 17th, 2011

The number varies, but there are at least 5 new words “invented” each day in English alone. And I concur that in cases where we have a whole new thing going on that can’t be described any other way that’s fine. But I do start getting trouble when the new term is being coined for no other reason than the desire to coin a term, to tag whatever you think should be tagged without thinking about if it’s really appropriate.

Some years ago, this was something reserved for scientists and copywriters, but since everyone has their own funnel to yell at the world it’s become a nuisance, especially when some of these words, e.g. neoliberalism, are catalogued in encyclopedia or the all-popular Wikipedia, and suddenly people start showing up saying “no, that’s not how I meant it when I was using it”. Worse when they claim to have “invented” it, and then the hassle begins.

Instead, it might be better to remove the ambiguity first and then start yelling.

(Re-)Defining Value

November 12th, 2010

Before expanding on yesterday’s post, I would like to point to some great articles (last link only available in German) and a video related to the topic. What they all agree on is that you can’t transfer the physical business model to the online or digital world. What I want to argue today is that if you take this for granted, you shouldn’t expect the financing works as it used to.

First, advertising. As stated before, advertising in the old media still is a bet. You buy physical space or a timeslot, hoping to attract the eyeballs of those who are reading the article next to your ad or watching the programme around it. You do so because you believe that this will help you to stay on top of the mind of the “consumer”, so she eventually buys your brand instead of the other. This kind of advertising focuses on the Attention-Interest-Desire part, not Demand or Action. Same with a full page ad for your new car model. The odds of someone seeing your ad who actually needs a new car right now are ridiculous. It’s a bet about staying in the game. On the other hand, if a local market advertises for discount tomatoes on Saturday, their chances of selling those tomatoes go way up with this fraction of the readership who are going to the market on Saturday anyway.

How does it work online? Since the invention of banner ads, their price has only ever decreased. Because on the web, the idea of advertising is not only Attention through Desire, but Demand and, most important, Action. The web offers a huge benefit for advertisers: The can measure effectiveness and ROI a lot easier than offline. And that’s what they’ve been doing. So today the problem for content providers is the clickthrough rate of an ad or their page, because it determines price, and thus revenue.

Second, value. Clay Shirky has nailed it pretty well: Online, newspapers (magazines not as much) offer nothing but a commodity. There is too much content, too much other news to compete with, not mentioning the billions of other pages that want our attention at least as much. And the user will not see a point ever in paying for an abundant resource. What makes it even worse is already said in its name: current affairs. Here today, gone tomorrow. The whole situation is paradoxical: To ensure the level of quality a paper wants to maintain, it needs to run a network of correspondents, distributed over the country or even the world, that’s why we see dozens of microphones and handheld recorders popping up once an MP comes out of parliament. But we as the users are not satisfied with reporters only parroting press releases. What we want is background information, an analysis how this fits into the big picture, not a filtered story merely tweaked to make a title page to cause public outrage.

What publishers are trying to sell us on today is that their value is the guarantee of free (i.e., independent) information because of its network. Which is not true. A publisher’s major asset is the level of control he has (or used to have) because he owns the physical printing press, allowing him to reach more people more efficiently and simultaneously than a real person could. Who controls the most channels has the most power, just like in every other industry, and as a result he can charge the most money from advertisers or put pressure on politicians or other organizations. After all, it is hard to monetize an abstract concept like freedom, but on the other hand, the history of monetizing control is even older than money itself. Now, empowered by the web, everyone has a printing press. And everyone is using it.

Especially the print press used to be nebulous organizations which shrouded themselves under the argument of “quality journalism that must be paid for”, and they still do today. But today we expect everything to have its price, and this price’s structure be made transparent. This is what my last post was about. Once it’s clear what the actual price of an article (of whatever quality) is, it’s our privilege as users to decide whether we’re willing to pay for it or not. Value is not the total manufacturing cost, it is a subjective attribute, how much what someone is saying matters to us. This brings us to another component of value: trust. A source I trust has a higher value than the one I don’t trust. The boiling question then becomes if there is a source I trust and it starts charging for its contents, will I switch? What are the readers’ criteria for re-decision?

Third, payment. I had a brief email exchange with Marcel Weiss, a German blog author, yesterday and he said that the 10 cent model was not going to work because the emotional transaction cost is too high and the handling of these small payments itself would almost cost as much. The emotional transaction cost is covered in the value section above, so I can focus on the money here. Clay Shirky also wrote that these small payments have the connotation of being nickeled-and-dimed, which is not a positive one, and users will flee in favour of subscription-based or subsidized offers. Wired’s Chris Anderson currently also believes future financing will comprise subscriptions and advertising in equal amounts. Fine with me, though I tend to believe that this model works more for magazines than newspapers. Magazines have always focused on their readers and how they can delight them, that’s why people subscribe, a regular piece of delight that cares about what they care about.
Marcel also said that there is a high probability that people will only lurk until the article is accessible for free without ever paying. This is completed by Clay’s point that small payments don’t add to the conversation. That’s right. The payment is a bare necessity. People who don’t care enough aren’t going to pay, but I don’t think this can be applied in general. Peer pressure is enough to make people pay. If in the long run a magazine or paper can be financed by subscriptions and ads, and puts content on the web for free but, say, only a basic version, that’s good. But I don’t think we users can expect full media broadside (journalistically neutral, of course) for free (i.e., entirely subsidized by a third party) from any provider.

Fourth, professionalism. It’s not as much about you and your workmates having the same conversation topic in the morning as it is about seriousness and reputation. Everyone can publish today because they have the button on their blog. But that makes them neither a publisher nor a journalist. And we need to acknowledge that a journalist is not a reporter and a reporter is not a journalist, so they must be treated differently. As I wrote above, we users demand more than the press release, therefore we need to treat the crafting of an article as work. Labour. Something the one who does it must be compensated for. On the other hand, the ones writing these articles need to treat their jobs more serious again. Over the past decades, journalism has been going down a road leading to its own demise, on the verge of which it is dwelling now, and that’s why people see ever less reasons to pay for information that’s available in better quality elsewhere for free.

That said, the question really becomes if a journalist needs a publisher. Do musicians need record labels? The history of the past decade has given the answer. There’s no difference whether a journalist wants to sell his article to a publisher or releasing it on his own. If he does the latter, the only thing he needs is a big enough audience, either several hundreds who subscribe for a small fee or several thousands who visit his site and click some ads. Of course it takes longer to build an audience. So this is nothing I would recommend a seasoned (but unknown) journalist to do. It just takes too long. But if you’re young and only starting, that’s the way to go, because then you remain independent.